Kaspar Hauser.

Europe’s Orphan

La Phármaco Luz Arcas Compañía de Danza Contemporánea Kaspar Hauser
On May 26th, 1828 a strange young man, who could barely stand up, appeared in a plaza in Nuremberg. He carried an anonymous letter which gave scarce, contradictory information regarding his background and leaving him in the hands of those who found him.

 

 

Kaspar Hauser was immediately taken in by the city and later the whole country as a sort of social, political, and philosophical experiment. After six weeks he could speak rather fluently, he could read and write. It be came clear, from the boy himself, that he had lived up until that point in a cell, he slept on a straw mat, he heard no sounds, but there was a wooden horse there that he could play with. The brought him food at night (bread and water, occasionally with an opioid dressing). He told how a few days after gaining his freedom “the man who always accompanied him” showed him how to write his name and to speak the sentences that he repeated when he was found ( “A cavalryman like my father, I want to be” and “horse, horse”). Until that moment he had never seen a human being before.

 

 

La Phármaco Luz Arcas Compañía de Danza Contemporánea Kaspar Hauser
La Phármaco Luz Arcas Compañía de Danza Contemporánea Kaspar Hauser
Doctors decreed that he was neither crazy nor mentally impaired beyond what he suffered from his confinement. His learning process was headed mainly by Anselm von Feuerbach who testified on the boys strange intelligence: a special sensitivity towards painting and horsemanship, passion for reading and music. Kaspar never determined who it was that he saw in the mirror’s reflection, he also never assimilated the idea of a monotheistic god, he was repelled by christian imagery and hated latin, he didn’t differentiate between real life and dreams, and attributed free will to all living beings.

 

 

Feuerbach suspected that Kaspar was the eldest son of one of the lines of the Baden family, who intended to get rid of him in a hidden struggle for sovereignty, and that his confinement was the only alternative to death. He was never able to prove where he really came from.

 

 

He died, murdered in strange circumstances on December 17th, 1833. His tombstone reads “Here lies Kaspar Hauser, enigma of his time. His birthdate unknown. His death a mystery”

DIRECTION AND DRAMATURGY

Luz Arcas y Abraham Gragera

CHOREOGRAPHY AND INTERPRETATION

Luz Arcas

COMPOSITION AND MUSIC INTERPETATION

Carlos González

LIGHTING

Jorge Colomer

FOTOGRAPHY AND VIDEO

Virginia Rota

SCENOGRAPHY

Ana Montes

CUSTOME DESIGN

Heridadegato

PRODUCTION

Festival de Otoño a Primavera, Comunidad de Madrid y La Phármaco

La Phármaco Luz Arcas Compañía de Danza Contemporánea Kaspar Hauser
” Luz totally converts herself into Kaspar“Europe’s orphan”, starting from within and emanating outwards, through dance as only she knows how to. A work of extreme quality, of delicate plasticity and spot on performance, a performance that will leave no-one indifferent, placing her once more at the top of the pyramid of dance”
“In an astonishing embodiment of nuanced registers, at times violent and sharp at times full of a moving tenderness, Arcas tells the story of Kaspar Hauser offering her public a mirror to reflect upon themselves, with truly original accuracy. Something that is unable to be said, is created as Luz Arcas dances. Making us feel human, Us”